Still, the camera is relatively compact and light for what it offers and it can definitely be configured to be a nimble travel and documentary camera, which is mainly what I do with it. Nowadays, for my personal work, the first camera I tend to reach for is the 50R.įorm Factor and Ergonomics – The GFX 50R is a rangefinder-style camera and kind of looks like an X-E series camera on growth hormones. You’ll want to shoot everything at this level of quality and to be honest it’s kind of hard to go back. Once you go medium format, the quality is simply addictive. It is approximately 1.7 times the size of a full-frame sensor and that means tremendous image quality, dynamic range, and low light performance. Size isn’t everything, but in the case of this camera’s 51.4 megapixel sensor, it is certainly a lot. Image Quality – This one is sort of a given, but it should definitely be mentioned. As with most of my reviews, this is mostly non-technical and based on my personal experiences in real-world shooting. I have been shooting with the GFX 50R for around six weeks at the time of writing and I now feel like I’ve gathered enough experience and made enough images with the camera to write a review. DG!) and I figured this would be a good chance to get in on the medium format game. ![]() In my case, an excellent deal came up on a used body (thanks, Mr. ![]() The camera has been out for a couple of years now and good deals are starting to pop up on the secondary market. Medium format is now accessible with a price tag closer to that of a full-frame DSLR or high-end mirrorless camera thanks to Fujifilm’s innovations in the space.Ī little over a month ago, I became the proud owner of a GFX 50R. Originally released in late 2018, the GFX 50R brought down the barrier of entry to larger format digital cameras even further with its $4500 price tag. ![]() The Fujifilm GFX 50R is the company’s second foray into the world of digital medium format cameras (after the revolutionary GFX 50S).
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